| thomas ades
|
Still Sorrowing
|
| richard ayres
|
No.8
|
|
|
No.16 *
|
| clarence barlow
|
Textmusik no.4 *
|
|
|
textmusik version XI (VII '77) *
|
| gerald barry
|
Triorchic Blues
|
| luciano berio
|
Sequenza IV
|
| chris burn
|
and only the snow can begin to explain *
|
|
|
…as if as… *
|
|
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from ten, two and three *
|
| john cage
|
Music for Marcel Duchamp
|
|
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Music for Piano 4-19
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Music for Piano 69-84
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Music of Changes I
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In a Landscape
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TV Koln
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One
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One5
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Prelude for a meditation
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Seven Haiku
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Solo for piano (from ‘Concert for piano and orchestra')
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Sonatas and Interludes
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Spontaneous Earth
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The Perilous Night
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Tossed as it is Untroubled
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Two Pieces (1935)
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Two Pieces (1946)
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Variations II
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Waiting
|
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4’33”
|
|
|
31’57.9864”
|
| cornelius cardew
|
Charge
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Memories of you
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|
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Sailing the seas depends upon the helmsman
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Song and Dance
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|
Treatise
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Volo Solo
|
| james clarke
|
Sonata
|
| aldo clementi
|
Variazioni su B.A.C.H.
|
| laurence crane
|
Twentieth Century Music
|
| john croft
|
…du second infini *
|
| alvin curran
|
Inner Cities 2
|
| richard emsley
|
Flow Form
|
|
|
for piano 2 *
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|
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for piano 3
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|
for piano 4
|
| morton feldman
|
Extensions 3
|
|
|
For Bunita Marcus
|
|
|
Intermission 3
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Intermission 4
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Intermission V
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Intermission 6
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Intersection 2
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Intersection 3
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Last Pieces
|
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|
Palais de Mari
|
|
|
Piano Piece 1952
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|
Piano Piece 1955
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|
Piano Piece 1956A
|
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Piano Piece 1956B
|
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|
Piano Piece (to Philip Guston)
|
|
|
Piano Piece 1964
|
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|
Piano (1977)
|
|
|
Three pieces for Piano
|
|
|
Triadic Memories
|
|
|
Variations
|
|
|
Vertical Thoughts IV
|
| michael finnissy
|
Elephant
|
|
|
Folklore
|
|
|
Gershwin Arrangements
|
|
|
Ives
|
|
|
Jazz
|
|
|
Reels
|
|
|
Short but…
|
|
|
Sometimes I…
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|
|
Taja
|
|
|
Willow Willow
|
|
|
Juvenilia
|
| christopher fox
|
Prime Site
|
|
|
at the edge of time *
|
| bryn harrison
|
I-V
|
|
|
Piano Set (Six Miniatures)
|
| charles ives
|
The Seen and the Unseen
|
|
|
Three Page Sonata
|
|
|
Varied Air and Variations
|
| györgy kurtag
|
Jatekok (selection)
|
| helmut lachenmann
|
Ein Kinderspiel
|
|
|
Guero
|
|
|
Serynade
|
| john lely
|
From The English
|
| george maciunas
|
Piano Pieces 1-13
|
| per nørgård
|
Grooving
|
| paul obermayer
|
Coil
|
| michael parsons
|
Fourths and Fifths
|
|
|
Four Oblique Pieces
|
|
|
Jive
|
| arvo pärt
|
für Alina
|
|
|
Variazioni zur Gesundung von Arinuschka
|
| frederick rzewski
|
Dust
|
| eric satie
|
Nocturnes
|
|
|
misc shorter pieces (untitled)
|
| robert saxton
|
Sonata
|
| rodney sharman
|
Opera Transcriptions (book 1)
|
| howard skempton
|
A Humming Song
|
|
|
First Prelude
|
|
|
Invention
|
|
|
Of Late
|
|
|
Piano Piece 1969
|
|
|
Quavers
|
|
|
September Song
|
|
|
Toccata
|
|
|
Trace
|
|
|
Whispers
|
| linda c smith
|
A Nocturne *
|
| karlheinz stockhausen
|
Klavierstück I-IV
|
|
|
Klavierstück VII
|
| toru takemitsu
|
Les yeux clos II
|
| mark r taylor
|
Failure
|
|
|
Patterns 1
|
| michael tippett
|
Piano Sonata 2
|
|
|
Piano Sonata 3
|
| anton webern
|
Variations
|
| john white
|
Piano Sonatas 111 - 114
|
| christian wolff
|
Accompaniments
|
|
|
A Keyboard Miscellany
|
|
|
A Piano Piece *
|
|
|
Bread and Roses
|
|
|
Eight Days a Week Variation *
|
|
|
For pianist
|
|
|
For Piano (I)
|
|
|
For Piano II
|
|
|
For piano with preparations
|
|
|
For prepared piano
|
|
|
Hay Una Mujer Desaparecida
|
|
|
Long Piano (Peace March 11) *
|
|
|
Pianist:Pieces *
|
|
|
Piano Song (“I am a dangerous woman”)
|
|
|
Preludes 1-11
|
|
|
Studies
|
|
|
Suite (I)
|
|
|
Touch *
|
| walter zimmerman
|
Wüstenwanderung
|
| joanna bailie
|
Charh
|
| clarence barlow
|
Relationships
|
|
|
1981
|
| george brecht
|
Water Yam
|
| sylvano bussotti
|
Sette Folgie
|
| john cage
|
Music for…
|
|
|
Radio Music
|
|
|
Six Melodies for violin and piano
|
|
|
Songbooks
|
| cornelius cardew
|
Autumn ‘60
|
|
|
Solo with accompaniment
|
| james clarke
|
Trio
|
|
|
Verstörung
|
| philip corner
|
Punktus cum punktum **
|
|
|
Satie’s rose cross prelude as a revelation
|
| laurence crane
|
John White In Berlin **
|
|
|
Trio for Ros and Peter
|
| morton feldman
|
Durations II
|
| simon h fell
|
Positions and Descriptions
|
| luc ferrari
|
Chansons pour le corps
|
|
|
Trio
|
| christopher fox
|
An der schattengrenze **
|
|
|
Composition mit schwarz, rot und gelb
|
|
|
Generic Compositions/Everything You Need To Know
|
| bryn harrison
|
Time and Motion Studies
|
| jerry hunt
|
Chimanzi (Olun): double
|
| hans koch
|
Alkan Graph
|
| john lely
|
Discovering Counterpoint**
|
|
|
E**
|
|
|
fall in the fresh lap of the cloudy messenger
|
| witold lutoslawski
|
Partita
|
| george maciunas
|
In memoriam Adriano Olivetti
|
|
|
Music for three mouths
|
| rytis mazulis
|
Canon Mensurabilis
|
| olivier messiaen
|
Oiseaux exotiques
|
|
|
Quartet for the end of time
|
| claudia moliter
|
Pink Beads Popping**
|
| tim parkinson
|
septet**
|
| michael parsons
|
Apartment House Suite
|
| james saunders
|
#271103 **
|
| arnold schoenberg
|
Pierrot Lunaire
|
| anton webern
|
Four Pieces
|
|
|
Three Pieces
|
| john white
|
C major machine
|
| christian wolff
|
Apartment house Exercise **
|
|
|
Braverman Music
|
|
|
Edges
|
|
|
Exercise 10
|
|
|
Exercise 11
|
|
|
For Five or Ten People
|
|
|
Microexercises
|
